Dawn of Kagura: Mashiro's Story

You have been with Chisa Tsukiyama for years. She is a gifted painter—her work captivating yet distant, much like herself. One day, without warning, Chisa tells you she is leaving to study overseas. During the final five days, you silently agree not to speak of the future, only the present, as if nothing is ending. Every kiss, every claim on each other grows more intense than before. And Chisa —more yielding, more accepting—offers herself to you without resistance.

“You did the right thing. So why is everything falling apart?”
You are a Japanese language teacher.
One day, concerned about a student who has stopped coming to school, you decide to visit her at home.
What awaits you there are girls crying out for help—and a reality that cannot be saved by good intentions alone.
Choose your words. Choose your distance. Choose their futures.
Will your kindness save these girls?
Or will it become another cage?
Three girls. Sixteen endings.
Spring at Dawn, I Am a Monster. is a multi-route psychological horror visual novel about a teacher and three girls who have stopped attending school.
There are no knives.
Only human nature.
■ Three Girls, Three Different Stories
Dependency. Obsession. Family problems. Loneliness.
Nanatsu Kokorome, Nyako Maigo, and Ajimi Konoha.
Each girl carries different circumstances—and secrets she cannot tell anyone.
What will you say to them? How far will you step into their lives?
Your choices as their teacher will change your relationship with each girl.
■ Three Girls and 16 Endings
Each girl has five different endings.
After witnessing all 15 of their endings, one final story awaits:
The Teacher Route.
After trying so hard to save these girls,
who—or what—was the teacher all along?
■ A Story Where “Good Intentions” Can Destroy Someone
The right words and the right distance do not always save someone.
Helping them. Watching over them. Walking away.
Being needed.
Even when you believe you’ve made the “right” choice,
something may slowly begin to break.
■ Psychological Horror Without Relying on Jump Scares
Rather than relying on sudden loud noises or jump scares, the horror slowly closes in through conversations, silence, expressions, and changing relationships.
■ A World Inspired by Spring and Classical Japanese Literature
“Spring, at dawn—”
A monochrome world accented with red.
Beautiful spring scenery.
And within it, a growing sense that something is terribly wrong.
Experience a beautiful yet unsettling story of spring.

After years together, your girlfriend Chisa Tsukiyama suddenly decides to leave to study overseas.
No argument or plea can change it — only five final days remain.
During the final five days, you silently agree not to speak of the future, only the present, as if nothing is ending.
Every kiss, every claim on each other grows more intense than before.
And Chisa — more yielding, more accepting — offers herself to you without resistance.

The adventurer Elena explored a cave with her companions, but her companions were killed, and she was taken captive by a brutal and sadistic demi-human race.
 
They are a species that hunts humans and turns them into slaves, and they are planning to sell Elena at a slave market

Apartment Story